<\/h1><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div><\/div><\/div> Credits <\/p>\n<\/div>
<\/div><\/div>choreoghaphy and direction <\/em>
\nAristide Rontini<\/strong><\/p>\ndance (in o.a.)<\/em>
\nSilvia Brazzale, Cristian Cucco, Orlando Izzo, Aristide Rontini<\/strong><\/p>\nwith the participation of <\/em>
\npeople from the local community<\/p>\noriginal music <\/em>
\nVittorio Giampietro <\/strong><\/p>\ndramaturg<\/em>
\nGaia Clotilde Chernetich<\/strong><\/p>\ntechnique and lighting <\/em>
\nAngelo Generali<\/strong><\/p>\ncostumes<\/em>
\nOrlando Izzo<\/strong><\/p>\nproduction collaboration Emilia Romagna Teatro ERT \/ Teatro Nazionale, Oriente Occidente in the project Europe Beyond Access co-financed Creative Europe and Nexus Factory<\/p>\n
with the contribution of the Ministry of Culture, Emilia-Romagna Region, Municipality of Bologna with the support of Versiliadanza, Masque Teatro, Onassis AiR as part of the Europe Beyond Access project co-funded by the Creative Europe program, Artistic Residencies Project 2022\/2023 Area Cultura Comune di Imola, Danza Urbana – Rete h(abita)t \/ MUVet and Northern School of Contemporary Dance<\/p>\n
Back Eye Black was supported by Open Dialogue, a bilateral cultural exchange project curated by Stopgap Dance Company and commissioned by the Italian Ministry of Culture (Directorate General for Performing Arts), Arts Council England, the Italian Cultural Institute in London and the British Council<\/p>\n
as part of CARNE focus on physical dramaturgy and the project Theatre and Fragility. Towards a Dancing Community<\/p>\n
realized with the contribution of Fondazione Carisbo<\/p>\n
ph Monia Pavoni, East West, 2024<\/p>\n
duration: 65 minutes<\/p>\n<\/div><\/div><\/div>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div>ACT I Lampyris Noctiluca\/solo ACT II Back Eye Black\/trio ACT III Corporal\/community project<\/p>\n
In this work, the choreographer explores the theme of the firefly as a symbol of fragility and resistance.<\/p>\n
In the first act Lampyris Noctiluca, an autobiographical solo, Rontini embodies the sensuality of his own body with disabilities to resist the stereotypical gaze he\u2019s often subjected to by creating an intimate and hypnotic dance.<\/p>\n
In the hallucinatory second act Back Eye Black, three performers experience the fading of their inner glow that leads them to the wreckage of any attempt at relationship.<\/p>\n
The last act, Corporale, is a choral action involving non-professionals and forming a temporary community based on listening, caring and freedom of expression.<\/p>\n
With its presence, the community closes the piece by transforming the scene into a space for sharing and launching an invitation to a profound collective change.<\/p>\n<\/div>
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<\/span><\/li>![](\"https:\/\/www.associazioneculturalenexus.org\/wp-content\/uploads\/2026\/03\/Frammenti-di-infinito-02.png\")
<\/span><\/li>![\"Frammenti](\"https:\/\/www.associazioneculturalenexus.org\/wp-content\/uploads\/2026\/03\/Frammenti-di-infinito-03.png\")
<\/span><\/li>![](\"https:\/\/www.associazioneculturalenexus.org\/wp-content\/uploads\/2026\/03\/Frammenti-di-infinito-04.png\")
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<\/span><\/li><\/ul><\/div><\/div><\/div><\/div>Altri Lavori di Aristide Rontini<\/strong><\/h4>\n<\/div>- <\/span><\/a><\/span>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div><\/div><\/div><\/i><\/span><\/span><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/li>\n- <\/span><\/a><\/span>
Corporale<\/h2><\/div><\/div><\/div><\/i><\/span><\/span><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/li>\n- <\/span><\/a><\/span>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div><\/div><\/div> Credits <\/p>\n<\/div>
<\/div><\/div>choreoghaphy and direction <\/em>
\nAristide Rontini<\/strong><\/p>\ndance (in o.a.)<\/em>
\nSilvia Brazzale, Cristian Cucco, Orlando Izzo, Aristide Rontini<\/strong><\/p>\nwith the participation of <\/em>
\npeople from the local community<\/p>\noriginal music <\/em>
\nVittorio Giampietro <\/strong><\/p>\ndramaturg<\/em>
\nGaia Clotilde Chernetich<\/strong><\/p>\ntechnique and lighting <\/em>
\nAngelo Generali<\/strong><\/p>\ncostumes<\/em>
\nOrlando Izzo<\/strong><\/p>\nproduction collaboration Emilia Romagna Teatro ERT \/ Teatro Nazionale, Oriente Occidente in the project Europe Beyond Access co-financed Creative Europe and Nexus Factory<\/p>\n
with the contribution of the Ministry of Culture, Emilia-Romagna Region, Municipality of Bologna with the support of Versiliadanza, Masque Teatro, Onassis AiR as part of the Europe Beyond Access project co-funded by the Creative Europe program, Artistic Residencies Project 2022\/2023 Area Cultura Comune di Imola, Danza Urbana – Rete h(abita)t \/ MUVet and Northern School of Contemporary Dance<\/p>\n
Back Eye Black was supported by Open Dialogue, a bilateral cultural exchange project curated by Stopgap Dance Company and commissioned by the Italian Ministry of Culture (Directorate General for Performing Arts), Arts Council England, the Italian Cultural Institute in London and the British Council<\/p>\n
as part of CARNE focus on physical dramaturgy and the project Theatre and Fragility. Towards a Dancing Community<\/p>\n
realized with the contribution of Fondazione Carisbo<\/p>\n
ph Monia Pavoni, East West, 2024<\/p>\n
duration: 65 minutes<\/p>\n<\/div><\/div><\/div>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div>ACT I Lampyris Noctiluca\/solo ACT II Back Eye Black\/trio ACT III Corporal\/community project<\/p>\n
In this work, the choreographer explores the theme of the firefly as a symbol of fragility and resistance.<\/p>\n
In the first act Lampyris Noctiluca, an autobiographical solo, Rontini embodies the sensuality of his own body with disabilities to resist the stereotypical gaze he\u2019s often subjected to by creating an intimate and hypnotic dance.<\/p>\n
In the hallucinatory second act Back Eye Black, three performers experience the fading of their inner glow that leads them to the wreckage of any attempt at relationship.<\/p>\n
The last act, Corporale, is a choral action involving non-professionals and forming a temporary community based on listening, caring and freedom of expression.<\/p>\n
With its presence, the community closes the piece by transforming the scene into a space for sharing and launching an invitation to a profound collective change.<\/p>\n<\/div>
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- <\/span><\/li>
- <\/span><\/li>
- <\/span><\/li>
- <\/span><\/li><\/ul><\/div><\/div><\/div><\/div>
Altri Lavori di Aristide Rontini<\/strong><\/h4>\n<\/div>- <\/span><\/a><\/span>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div><\/div><\/div><\/i><\/span><\/span><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/li>\n- <\/span><\/a><\/span>
Corporale<\/h2><\/div><\/div><\/div><\/i><\/span><\/span><\/div><\/a><\/div><\/div><\/div><\/div><\/div><\/li>\n- <\/span><\/a><\/span>
Credits <\/p>\n<\/div>
choreoghaphy and direction <\/em> dance (in o.a.)<\/em> with the participation of <\/em> original music <\/em> dramaturg<\/em> technique and lighting <\/em> costumes<\/em> production collaboration Emilia Romagna Teatro ERT \/ Teatro Nazionale, Oriente Occidente in the project Europe Beyond Access co-financed Creative Europe and Nexus Factory<\/p>\n with the contribution of the Ministry of Culture, Emilia-Romagna Region, Municipality of Bologna with the support of Versiliadanza, Masque Teatro, Onassis AiR as part of the Europe Beyond Access project co-funded by the Creative Europe program, Artistic Residencies Project 2022\/2023 Area Cultura Comune di Imola, Danza Urbana – Rete h(abita)t \/ MUVet and Northern School of Contemporary Dance<\/p>\n Back Eye Black was supported by Open Dialogue, a bilateral cultural exchange project curated by Stopgap Dance Company and commissioned by the Italian Ministry of Culture (Directorate General for Performing Arts), Arts Council England, the Italian Cultural Institute in London and the British Council<\/p>\n as part of CARNE focus on physical dramaturgy and the project Theatre and Fragility. Towards a Dancing Community<\/p>\n realized with the contribution of Fondazione Carisbo<\/p>\n ph Monia Pavoni, East West, 2024<\/p>\n duration: 65 minutes<\/p>\n<\/div><\/div><\/div> ACT I Lampyris Noctiluca\/solo ACT II Back Eye Black\/trio ACT III Corporal\/community project<\/p>\n In this work, the choreographer explores the theme of the firefly as a symbol of fragility and resistance.<\/p>\n In the first act Lampyris Noctiluca, an autobiographical solo, Rontini embodies the sensuality of his own body with disabilities to resist the stereotypical gaze he\u2019s often subjected to by creating an intimate and hypnotic dance.<\/p>\n In the hallucinatory second act Back Eye Black, three performers experience the fading of their inner glow that leads them to the wreckage of any attempt at relationship.<\/p>\n The last act, Corporale, is a choral action involving non-professionals and forming a temporary community based on listening, caring and freedom of expression.<\/p>\n With its presence, the community closes the piece by transforming the scene into a space for sharing and launching an invitation to a profound collective change.<\/p>\n<\/div>
\nAristide Rontini<\/strong><\/p>\n
\nSilvia Brazzale, Cristian Cucco, Orlando Izzo, Aristide Rontini<\/strong><\/p>\n
\npeople from the local community<\/p>\n
\nVittorio Giampietro <\/strong><\/p>\n
\nGaia Clotilde Chernetich<\/strong><\/p>\n
\nAngelo Generali<\/strong><\/p>\n
\nOrlando Izzo<\/strong><\/p>\nFrammenti di infinito. Tre atti per le lucciole<\/h2><\/div>
<\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/span><\/li><\/ul><\/div><\/div><\/div><\/div>Altri Lavori di Aristide Rontini<\/strong><\/h4>\n<\/div>
Frammenti di infinito. Tre atti per le lucciole<\/h2><\/div><\/div><\/div>
Corporale<\/h2><\/div><\/div><\/div>