{"id":8093,"date":"2026-04-07T15:21:37","date_gmt":"2026-04-07T15:21:37","guid":{"rendered":"https:\/\/www.associazioneculturalenexus.org\/?post_type=avada_portfolio&p=8093"},"modified":"2026-04-08T13:26:54","modified_gmt":"2026-04-08T13:26:54","slug":"alexis-2-0","status":"publish","type":"avada_portfolio","link":"https:\/\/www.associazioneculturalenexus.org\/en\/works\/alexis-2-0\/","title":{"rendered":"Alexis 2.0"},"content":{"rendered":"

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Credits <\/p>\n<\/div>

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Ideazione e coreografia<\/em> Aristide Rontini<\/strong><\/p>\n

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Concept and choreography Aristide Rontini Performer Cristian Cucco Dramaturg Gaia Clotilde Chernetich Original music Vittorio Giampietro Duration about 25 minutes Artistic collaboration Simona Bertozzi and Dalila D’Amico<\/p>\n

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Production Nexus Factory In co-production Oriente Occidente With the contribution of the Ministry of Culture, Emilia-Romagna Region, Municipality of Bologna With the support of Anticorpi – Rete di Festival e Rassegne e Residenze dell’Emilia-Romagna nell’azione supportER and Fondazione Teatro Comunale Citt\u00e0 di Vicenza We thank Musei Civici di Imola, Associazione Culturale Altriballetti and Camilla Guarino<\/p>\n

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A poetic audio description for a blind audience by Giuseppe Comuniello and Camilla Guarino is available.<\/p>\n

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duration: 25 minutes<\/p>\n

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Alexis 2.0<\/h2><\/div>

With her first novel published in 1929, Alexis or the Treaty of the Vain Struggle, French writer Marguerite Yourcenar brought to life a long letter in which the protagonist, a musician by profession, attempts to declare his homosexuality to his wife.<\/p>\n

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Through the French writer's text, Aristide Rontini initiated choreographic research that investigates and gives body to the complex physical and emotional dynamics that can come into play in the sometimes painful process of coming out.<\/p>\n

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Alexis's saying and not saying reverberate in the grounded and at the same time aerial physicality of Cristian Cucco, performer interpreter of this proposal that, starting from a literary case, shows how in the urgency of a statement written in the first person one can recognize, instead, collective and shared urgencies that concern, in a fully transversal way, the condition and status of being human.<\/p>\n

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