{"id":5549,"date":"2021-09-26T14:59:30","date_gmt":"2021-09-26T14:59:30","guid":{"rendered":"https:\/\/simonabertozzi.it\/?post_type=avada_portfolio&p=5549"},"modified":"2025-10-07T13:19:04","modified_gmt":"2025-10-07T13:19:04","slug":"suite-zero","status":"publish","type":"avada_portfolio","link":"https:\/\/www.associazioneculturalenexus.org\/en\/works\/suite-zero\/","title":{"rendered":"Suite Zero"},"content":{"rendered":"

Suite Zero<\/h1><\/div>
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Suite Zero<\/h2><\/div><\/div><\/div>
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Suite Zero<\/h2><\/div><\/div><\/div>
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Project<\/em> Simona Bertozzi, Claudio Pasceri<\/span><\/p>\n

Choreography and Dance<\/em> Simona Bertozzi<\/span><\/p>\n

Cello<\/em> Claudio Pasceri<\/span><\/p>\n

Musical program<\/em> F.J. Haydn, Tak Cheung Hui, J.S. Bach, E. Dadone, Toshio Hosokawa, G. Mahler<\/span><\/p>\n

Lighting design<\/em> Giuseppe Filipponio<\/span><\/p>\n

Press office<\/em> Michele Pascarella<\/span>
\n<\/span>Photos and videos<\/em> Luca Del Pia<\/span><\/p>\n

Production Nexus 2021, Associazione Est Ovest Festival<\/span>
\n<\/span>With the contribution of MiC, Emilia-Romagna Region, Municipality of Bologna<\/span>
\n<\/span>Creative residency at Lavanderia a Vapore\u2013Choreographic Residency Center, AtelierS\u00ec \u2013 Artists in ResidenS\u00ec<\/span><\/p>\n<\/div>

I have the general and constant impression <\/span><\/i>
\n<\/span><\/i>of a sphere of simultaneity welded to my presence.<\/span><\/i>
\n<\/span><\/i>Paul Valery<\/i><\/strong><\/p>\n<\/div>

Constructed in six movements, with an antechamber and a farewell that frame them and, at the same time, mark their origin and projection, Suite Zero unfolds like a collection of events, an anthology of pieces punctuated by the dialogue between the solo body and cello.<\/span><\/p>\n

While respecting the typical structure of the suite, namely the succession of prelude, allemande, corrente, sarabande, minuet, and gigue, the texture of the choreography and music aims to construct a new landscape of coexistence, references, and interactions that disrupts the boundaries of a pre-established order, affecting the rhythmic and temporal perception of the actions.<\/span><\/p>\n

A dialogue between incisions and incidents.<\/span><\/p>\n

From moments of obstinacy to moments of suspension and evanescence. From the most individual trait to the attempt to lose oneself in the manifold, to trespass into the unpredictable, Suite Zero affirms its nature in the explosion of dialogue between body and cello, towards polyphony, towards the multiplication of presences, scattering sound sculptures and bodily geometries.<\/span><\/p>\n<\/div>

Musical program<\/strong><\/h5>\n

Anticamera<\/span>
\n<\/span>F J Haydn<\/span>
\n<\/span>Minuet from String Quartet Op. 76 No. 2<\/span><\/p>\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/span><\/p>\n

Prelude<\/span><\/i>
\n<\/span><\/i>Tak Cheung Hui<\/span>
\n<\/span>The Mist Inside \u2013 Prologue<\/span><\/p>\n

Allemande<\/span><\/i>
\n<\/span><\/i>J.S. Bach<\/span>
\n<\/span>Allemande from Suite BWV 1007<\/span><\/p>\n

Corrente<\/span><\/i>
\n<\/span><\/i>E. Dadone<\/span>
\n<\/span>Recitativi da remoto\u00a0<\/span><\/p>\n

Sarabande<\/span><\/i>
\n<\/span><\/i>Toshio Hosokawa<\/span>
\n<\/span>Small Chant<\/span>
\n<\/span>(and Sarabande from Suite BWV 1011 in the background)\u00a0<\/span><\/p>\n

Minuets<\/span><\/i>
\n<\/span><\/i>Improvisations on the Minuets from J S Bach’s Suite BWV 1007<\/span><\/p>\n

Gigue<\/span><\/i>
\n<\/span><\/i>J S Bach<\/span>
\n<\/span>BWV 1007, Gigue<\/span><\/p>\n

\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014-<\/span><\/p>\n

Farewell<\/span>
\n<\/span>G Mahler<\/span>
\n<\/span>Symphony No. 1, third movement<\/span><\/p>\n<\/div><\/div><\/div>

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